Film Industry Clusters
A Strategy for Urban and Regional Development?
Abstract
The film industry seems to have developed most strongly in specific cities/regions around the world. Based mainly on a review of the literature on urban and regional development in places where the film industry has usually been highly concentrated, this article: 1) explains why this concentration has occurred, 2) describes common trends in the industry’s international development, 3) examines the film industry’s overall economic impact and its contribution to cities/regions, 4) reveals the shared characteristics of film cluster production systems around the world, 5) and presents a model for governments interested in economically enhancing their cities/regions through the formation and development of a film industry-based cluster as a strategy for regional development.
Downloads
References
Baycan-Levent, T. (2010). Diversity and creativity as seedbeds for urban and regional dynamics. European Planning Studies, 18 (4), p. 565-594.
Blair, H., Culkin, N. & Randle, K. (2003). From London to Los Angeles: a comparison of local labour market processes in the US and UK film industries. International Journal of Human Resource Management, 14 (4), p. 619-633.
Bollywood NOW (2010). Metro, (164), p. 62-65.
Britton, J. H., Tremblay, D. & Smith, R. (2009). Contrasts in clustering: the example of Canadian new media. European Planning Studies, 17 (2), p. 211-234.
Chapain, C. & Comunian, R. (2010). Enabling and inhibiting the creative economy: the role of the local and regional dimensions in England. Regional Studies, 44 (6), p. 717-734.
Choi, J. (2010). Challenges and strategies of local cultural cluster promotion policies in Korea. Service Industries Journal, 30 (5), p. 763-775.
Coe, N. M. (2001). A hybrid agglomeration?: the development of a Satellite-Marshallian Industrial District in Vancouver’s film industry. Urban Studies, 38 (10), p. 1753-1775.
Cole, A. (2008). Distant neighbours: the new geography of animated film production in Europe. Regional Studies, 42 (6), p. 891-904.
Coles, A. (2010). Unintended consequences: examining the impact of tax credit programmes on work in the Canadian independent film and television production sector. Cultural Trends, 19 (1/2), p. 109-124.
Enlil, Z., Evren, Y. & Dincer, I. (2011). Cultural triangle and beyond: a spatial analysis of cultural industries in Istanbul. Planning Practice & Research, 26 (2), p. 167-183.
Glassmann, U. (2008). Beyond the German model of capitalism: unorthodox local business development in the Cologne media industry. European Planning Studies, 16 (4), p. 465-486.
Glow, H., Johanson, K. (2010). Building capacity or burning out? Supporting Indigenous performing artists and filmmakers. Media International Australia (8/1/07-current), (136), p. 71-8.
Hospers, G. & Pen, C. (2008). A view on creative cities beyond the hype. Creativity & Innovation Management, 17 (4), p. 259-270.
Le Blanc, A. (2010). Cultural districts, a new strategy for regional development?: the South-East cultural district in Sicily. Regional Studies, 44 (7).
Leriche, F. & Daviet, S. (2010). Cultural economy: an opportunity to boost employment and regional development? Regional Studies, 44 (7), p. 807-811.
Litvak, I. A. (2009). Economic development. Economic Development Journal, 8 (1), p. 14-21.
Lorentzen, A. (2009). Cities in the experience economy. European Planning Studies, 17 (6), p. 829- 845.
Mossig, I. (2008). Global networks of the motion picture industry in Los Angeles/Hollywood using the example of their connections to the German market. European Planning Studies, 16 (1), p. 43-59.
O’Connor, J. & Gu, X. (2010). Developing a creative cluster in a postindustrial city: CIDS and Manchester. Information Society, 26 (2), p. 124-136.
Öz, Ö. & Özkaracalar, K. (2011). What accounts for the resilience and vulnerability of clusters?: the case of Istanbul’s film industry. European Planning Studies, 19 (3), p. 361-378.
Pu, L. & Foster, J. (2012). From a local TV to a broadcasting conglomerate: a regional Chinese media company’s history, development and struggle. China Media Research, 8 (3), p. 11-23.
Rosenfeld, M. W. & Hornych, C. (2010). Could cities in de-industrialized regions become hot spots for attracting cultural businesses?: the case of media industry in Halle an der Saale (Germany). European Planning Studies, 18 (3), p. 371-384.
Shoesmith, B. (2009). Changing the guard. Media History, 15 (4), p. 439-452.
Stewart, T. D. (2002). Principles of research in communication. Boston: Allyn & Bacon. Turok, I. (2003). Cities, clusters and creative industries: the case of film and television in Scotland. European Planning Studies, 11 (5), p. 549-565.
Wells, S. & Ross, M. (2012). “One for the money, two for the show…”: an update on state tax incentives for the film industry. Journal of State Taxation, 30 (5), p. 21-30.
Zhihong, G. (2009). Serving a stir-fry of market, culture and politics: on globalisation and film policy in Greater China. Policy Studies, 30 (4), p. 423-438.
Copyright (c) 2015 Abelardo Medel, Britta Gossel
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The authors retain the copyright and guarantee the journal the right to be the first publication of the work. In case that a translation of the article already published in Austral Comunicación can be published in another journal, it is requested to record the original publication in the translated version.
The license used is CC BY-NC-SA, which allows sharing (copying and redistributing the material in any medium and format) and adapting (remixing, transforming and building on the material) under the following terms: attribution (acknowledge authorship) and non-commercial (the material cannot be used for commercial purposes). Update: February 1, 2022.
Austral Comunicación allows the author (s) to retain the publication rights without restrictions.